![]() Affinity Photo 2 now has native Lumonisity Mask support, allowing you to target specific ranges of highlights or shadows or anything in between. Band-pass creates a mask that focuses on the edges of objects in your shot, allowing you to sharpen up your outlines without oversharpening things that should be left well alone, like skin or fabric texture.Īnd while they’ve been mentioned a couple of times already, gone are the old-fashioned ways of creating luminosity masks. ![]() ![]() You also get live masks, which dynamically update automatically based on the properties of the underlying image – we’re going back to those luminosity masks I mentioned earlier – as well as a Hue Range mask selection allowing you to target very specific colours. This isn’t a feature that’s too useful for most photographers, but for any of you that dabble in 3D, it will be a very welcome addition. For those 3D artists amongst us, you also get Normals Adjustment. This is very handy for creating mockups, as with the magazine example above. Live Mesh Warp lets you distort images non-destructively to let you bend and twist and distort them into pretty much any shape you like. I can see this being a very handy tool for landscape photographers who often deal with luminosity masks and masks to target specific features. This lets you create your individual masks and combine them while still retaining the original masks that you can edit and tweak any time you like without affecting other parts of the mask on different layers. You can also embed it directly into your current document or link it externally to reduce file sizes.Īdding to the non-destructive nature of Affinity Photo 2, we’ve got compound masks that let you combine multiple mask layers together non-destructively using add, intersect, subtract and XOR operations. For many photographers, this was a big bone of contention that held them off from switching away from Photoshop, but now that feature is here. ![]() This means that in your regular editing process after you’ve started working on it in the main Affinity Photo application, you can still go back and edit your original raw processing settings – just like importing a raw file as a smart object within Photoshop. One of the major features with Affinity Photo 2 is that it finally has non-destructive raw development capabilities. ![]()
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